I wanted to share with you the links to videos of our October performance of The Death Of Simone Weil.
I'm so pleased with this music: perhaps we will record it again someday (perhaps not, too, alas)...
I'm also just about to send out a manuscript of a book of Paula's poetry...Paula as so good at so many things, but: she was SUCH a brilliant poet...and the blog was never much about her poetry. Of course, she was such a brilliant writer of....her somehow beyond essays...Anyway, wish me luck with that...the world deserves to be able to read her.
You cannot imagine how much I miss her. You people know her as the spiritual, cerebral writer she was here, and indeed, she was that gentle, insightful, articulate soul...but you might have not really known the down to earth person she was at home (hard to explain this, here, in fact, she always did paint an accurate picture of herself), the one that would amuse me by drawing devil horns and pitchforks on newspaper photos of George Bush and Dick Cheny and who had a great time with me, sending out for chinese food and watching TV....
Renault
November 1938
Saint Julien
X-Ray Dreams
Almost Paradise
November, 1938, the third movement of The Death Of Simone Weil. This beautiful poem is what inspired me to write the whole (six movement, 65 minute) piece...it's about a transcendent experience Simone Weil had, and longing for it to happen again...refers to several famous poems. This poem turned me into a composer whose focus is on words as that’s what I’ve been doing ever since I read that around 20 years ago. Paula was (so deservedly so) pleased with herself when she wrote this…and I read this part, standing, in our bedroom, leaning over the top of a dresser, and it sent chills down my spine. I was, and always will be, so proud of her. Honored to have known her. Profoundly lucky to have found my soul mate, who amazingly, loved me as much as I loved her. We always claimed we were the cutest couple in the world, and we were right.
Darrell Katz
Darrell Katz
He whose soul remains ever turned toward God though the nail pierces it finds himself nailed to the very center of the universe.
-- S. Weil
Mal de tete, the ignominious
quotidian of my incarnation!
It drills my forehead like a nail --
like a lidless
third eye transfixed
by its desire.
If only I could flinch from it!
This pain impales me
like an unwilling bride
to my sickbed here
guiltie of dust and sin
and wretched unwillingness.
If only I could enter
the sanctuary of the poem,
naked as a spirit,
my miserable flesh
shed in a heap on the porch --
like at Easter in Solesmes,
when the plain song
plucked me aloft
from my suffering
and I hovered like a feather
on the breath of God,
or dust in his splendour,
far above the malheur, degout et
paresse of my unworthy life:
Love bade me welcome, Love
bade me welcome, and the doctor
brought a horrid nux vomica,
for migraine:
like a curate of the flesh,
in his macaronic latin,
he says Mass over me.
Love bade me welcome, yes,
me, with my cyclops eye as raw
as the kiss God planted
on the brow of Cain. O quick-eyed Love,
sweet sorcerer, take my unwillingness
and refine it with your flame until
what remains is the quicksilver
of consent, and the gold of welcome, Love,
like the smile on a beloved face,
that whispers,
as if blessing nuptial vows,
When the plainchants
Plucked me aloft
from my suffering
and I hovered like a feather
on the breath of God,
or dust in his splendour,
far above the malheur, degout et
paresse of my unworthy life:
Love bade me welcome,
Love bade me welcome,
Love like a smile on a beloved face,
That whispers,