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The errant river, receding, has left a debris field of the usual styrofoam coffee cups and plastic drinks bottles, reminding us of the reciprocity it mandates, the mutual servanthood -- that we not sully it with our leavings, the effluvia of our unquenchable desires.
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This is no paradise, no gilded age. My self-portrait is in a flatbed's hubcap; behind me, in verso, the dirty river thunders. I enter the Triduum unprepared, a slate scoured blank by Lent, Leonard Cohen's cold and broken Hallelujahs sounding in my mind's ear like rusty windchimes in a gale. I shall see what I shall see, hear what I shall hear. It's like going for a walk with my camera: I am all eye. And silence.
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Liturgy is word and act; it is embodied and relational. You have to take off your old boots and get your feet wet. You have to touch each other.
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From the outside it might look strange, disturbing, barely comprehensible, even risible, like a word stripped of its meaning, an absurd and contingent grunt. And, let's face it, from the inside it's also a little odd -- the bread, the wine, the stained glass, the ranks of organ pipes. The God-Man crucified; the God-Man resurrected.
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But what about being-here-at-all isn't odd ? And that's the terrifying, sorrowful, agonizing crux and heart of the matter, isn't it.
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What better place to begin than with a naked foot ?
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